The form does not exist by itself - it arises in contact: with the body, with the psyche, with the material and with the viewer.
Immanence explores form as a process rather than a fixed result. Across painting and sculpture, the exhibition brings together the works of Lala Drona, Anja Rausch, and Leo Orta, whose practices investigate how meaning, sensation, and form emerge from within material, bodily, and perceptual experience.
Rooted in the philosophical idea of immanence, the exhibition proposes that form does not exist independently or in advance, but arises through contact: with the body, the psyche, matter, and the viewer. Here, artworks remain in a state of becoming, shaped by accumulation, intuition, vulnerability, and transformation rather than resolved into stable images or objects.
Lala Drona approaches painting as a living, bodily field shaped by gesture, memory, and lived experience, particularly drawing from reconstructive surgeries and their physical and emotional traces. Anja Rausch’s intuitive painting practice unfolds through gradual perception, allowing forms to surface between figuration and abstraction, evoking shifting scales from the microscopic to the cosmic. Leo Orta’s sculptural works combine industrial processes, organic forms, and psychoanalytic inquiry, creating objects that oscillate between function and metaphor, familiarity and emotional exposure.
Together, the artists articulate a shared interest in fragility, incompleteness, and transformation as productive states. Immanence positions the exhibition space as a site of encounter, where personal experience, material processes, and perception intersect—inviting viewers to engage with form not as something to decode, but as something to experience in motion.
